Closing the book on Detroit: Devastating closures proposed for the Detroit Public Library system

The Detroit Public Library is contemplating closing as many as 18 of its 23 branches due to budget shortfalls.

You’ve likely heard the statistic that Detroit’s functional illiteracy rate is nearly fifty percent, but it bears repeating. At the store where I worked last year, I got used to politely, patiently pointing out every last example of a product because a customer couldn’t read the package or the price. These customers could not distinguish between different varieties of a product because they couldn’t read the information on the box. Sometimes, they could not even find the thing they were looking for because so many toiletries are just liquid in text-covered bottles.

I had thought before about how an inability to read would make finding work hard, how it would make it pretty much impossible to vote, big things like that, but not until then had I considered the effect it can have on a person’s everyday ability to function. Several days ago when I hung out with a friend, she had just come from a cafe where the man in front of her was asking so many questions, she realized he probably couldn’t read the menu.

I wrote recently about the closure of the public library in relatively wealthy Troy, Michigan, a suburb of Detroit. I wrote about how libraries have been proven again and again to have an outstanding return on investment, returning to their communities manyfold the number of dollars invested in them. I wrote, too, about how once a library is closed, the more time passes, the more it will cost to reopen the library. A lot of money is tied up in a library in the form of physical infrastructure, books, and equipment, to say nothing of the years of human effort embodied there, and closure throws these things into the rubbish bin. As time passes, it becomes increasingly unlikely that the library branch can ever be opened again. 

As much as I believe Troy needs its library, when I think about this loss coming to Detroit, I can barely make sense of it. Every city needs libraries, but a city like Detroit…. A source of free information and entertainment, a solid set of bootstraps, even a place to go during the day, these things are air and water here. They are absolutely necessary. Removing this vital source of self-improvement and access to employment resources is a hard slap in the face for a city with an unemployment rate estimated anywhere from 30 to 50%. Yes, there will still be some libraries, but Detroit is also a vast city where about one in three people lack cars and the public transit system plainly sucks. A lot of the people who need libraries the most don’t necessarily have the mobility to regularly travel beyond their neighborhoods.

If these DPL branches end up crumbling, scrapped, wide open, and full of decaying books, they would not be the first DPL branches to do so. We don’t have to speculate, because DPL’s record on responsible disposition of its resources–finding new homes for books and on mothballing and/or selling the building–is right there in front of our eyes. I hope they will do better with this round of closures, although no closures would be better.

On a personal note, part of the big, shiny daydream that convinced me to pack up my life and move to this city was the thought that I wanted to work in a Detroit Public Library branch someday, doing my little part to put a dent in the city’s illiteracy rate. I have worked in a city public library with at-risk youth, and I know what that entails, and I love it.

I feel guilty even writing this down knowing that some of my favorite Detroiters and that many curious-about-Detroit people are going to read it, but the news of these cuts makes it a lot harder for me to imagine my future here. It’s not just the evaporation of so many jobs, but a significant blow to my line of work and to library workers in this region, period. When I first read the article, the image that popped into my head was of driving around my neighborhood and finding billboards reading I’D TURN BACK IF I WERE YOU. I could blow that sentiment up and talk about employment and opportunity networks and trying to stem brain drain, but you know what? The biggest loss here isn’t my silly white hipster self being more likely to move away or to keep working in low-wage retail after getting my degree. The big loss here is for those Detroiters who don’t have any other place to go or to take their kids. 

And hey: Closing libraries serves, in its way, to reinforce the gap between educated me and the most desperate people in my city. Rather than being able to use my knowledge and skills to help them acquire knowledge and skills, I am that much more likely to take my education elsewhere. I am more likely to be gone, and they’re more likely to be stuck. 

To all actors in the Detroit Public Library budget situation, whether you feel complicit in creating the current crisis or not, please get it together and do everything you can to fix this. You know this is real, and that it is a decision not easily taken back. This city goes daily without many of the bare minimum services and dignities needed for a municipality to function, but that doesn’t mean we should add this one to the list. In fact, we need our libraries precisely because we have virtually nothing else. Please, stop as many of these library closures as you can. Don’t cut Detroit’s bootstraps.

Published in: on April 17, 2011 at 1:27 am  Comments (8)  
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4GIVE YOSELF: R.I.P. Ed Boxx, painter of the Six Year Cigarette and other marvels.

Thomas Crone writes over at 52nd that word is going around that prolific, thoughtful graffiti tagger Ed Boxx has died. People say he was attacked “while painting on the east side.”

Sad, sad news.

[I should pause to say that I AM NOT INTERESTED in reading an argument about the ethics of graf here, and why you think graffiti is 100% always wrong all the time. This ain't the time or place, so kindly hold your tongue if that's what you're after. I will not hesitate to remove comments I find to be insensitive.]

Ed’s work is kinda sorta everywhere. He usually just writes “ED BOXX,” “RED FOXX,” “4GIVE YOSELF,” or “GET UP! GET GOD!” But he has done larger, more complex works, stuff on a level of effort, wit, and skill that one just doesn’t see coming from most taggers around here. I mean it’s one thing to slop one’s name hastily at arm’s height in ugly handwriting, and it’s another to develop signature fonts and characters, and to do occasional all-out installations.

One of my favorite Ed Boxx pieces took up the inside of a Near North Riverfront warehouse. It was a small, two story warehouse, and the only thing Ed painted was the insides of the steel sash windows, such that it looked like cartoon stained glass, the religious scenes replaced instead with stylized cat heads and cigarettes. He only used a couple of colors, I think blue and yellow and green. The limited palette really popped next to the red brick of the building. In good light, the whole piece seemed to slightly glow.

Another favorite took up every window on an entire facade of the Spivey Building skyscraper in East St. Louis. While exploring the building last fall, my friends and I noticed what appeared to be abstract designs in every single window of one side of the Spivey, painted with lilac and white house paint. But once we got outside and looked up, we realized that all those stories of painted windows added up to giantly spell out one of Ed’s aliases (I want to say it was REXX RAM, but I don’t have the photo in front of me, gah!). He had to have thought about that one for a long, long time, and executing something like that had to have been pretty complicated.

Another favorite, albeit one jeered by many, was when Ed edited (ed-ited) the facade of the Orpheum Theater, making it into the ED BOXX Theater.

My feelings about graffiti are complicated, but Ed’s art was something I almost always felt good about. He actually made some really interesting, compelling, thought-provoking pieces. His best works were site-specific pieces that incorporated the location into the work, rather than just the simple throw-up tags that anyone can do. Even when I was preservationist-ily muttering “On terra cotta! That glaze is so delicate! How will they ever remove the paint without damaging it?” I found myself smiling at Ed’s work.

I’ve had a lot of folks say things to me along the lines of “Forgive yourself? What’s that supposed to mean? How is any of this thought provoking?” All I can offer is that it’s kind of like a poem or a really great rock lyric: It doesn’t have to be explicit and obvious to anyone but the artist, to mean something and to make you think. Sometimes the cryptic-ness of the language in and of itself is part of the message.

Even though I never got to meet Ed Boxx, I’ll miss his presence as his tags vanish, one by one, from the city. I get to some fairly hidden spots in the city, but I saw Ed’s work everywhere I went, following me on my travels. You could tell just from where he went that he was really paying attention to the city. I’ll miss walking through some crazily hidden, industrial corner of the Near North Side and stumbling upon one of his works, which has been a small joy for me many times. Running into a particularly thoughtful Ed Boxx tag in a completely unexpected spot feels in a teeny, tiny way like bumping into a friend when I least expected it.

Ed, your presence in the landscape will be dearly missed.

__________________

I don’t have photos of some of his better, more complex pieces, but I have these:


Detail of an Ed Boxx piece in a vacant, notably roof-less building in the Carondelet Coke complex, April 2007.


Palimpsest of Ed Boxx graf and an old advertisement (Not saying I would have modified the neat old ad myself, but I did think the result was interesting). Recently, he seems to have gotten more into this editing of ghost signs.


An unspectacular tag in and of itself, but the location was the walking surface of a completely isolated pedestrian bridge that pretty much no one uses. Coming up here and seeing this tag totally made me grin, full of amused, “What the HELL?” I mean this tag was basically done for a handful of pedestrians walking to/from one of the sketchiest parts of the whole city, and helicopters. Who else would bother? That was part of the joy of Ed’s work.

Edited 4/10/12 to add: As several commenters have noted, Ed Boxx is not dead. The thought that he might’ve faked his own death occured to me when I first heard the news, and it turns out that was indeed the case. I should have waited for clearer news before I published this, but I was so upset by the news that I just wrote. 4give me.

Published in: on May 22, 2008 at 5:57 am  Comments (17)  
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